Sun, 19 April 2009 WARNING: The Independent Insurgency is an "explicit" podcast. This episode is 53.5 MB big and 58:25 long. 00:43: Set in the Edo period 01:48: The mechanics have you playing War 08:15: The title comes from a famous painting, The Dream of the Fisherman's Wife by Katushika Hokusai 09:11: Why design this game? 11:20: Thematic links between card suits and fiction 12:40: Is this an adult game? 18:15: My prior interview with Carrie Bernstein 19:29: What did you steal from? 20:11: 1001 Nights by Meguey Baker 21:33: What did you have to change from the ashcan? 24:13: What was difficult to fix? 25:36: The trouble with getting playtesters 26:37: JiffyCon and Double Exposure's Dreamation conventions 27:26: Editing the book 28:45: What use, art? 30:36: Getting the game printed (Collective Copies) 31:37: Layout and design challenges 35:19: Form factor 37:27: Marketing the game 38:05: Oh My, a "Sensuality Shop" that Julia would like to market the game in. 39:09: What is success? 44:06: Taking yourself out of the equation 48:43: The cultural sensitivity issues around designing a game about a culture that you're not a part of The closing song is Tocotta and Droog by The Hub City Stompers Logo courtesy of Daniel Solis: http://danielsolis.com/ Comments[0] |
Mon, 6 April 2009 In this episode, I speak with Joshua A. C. Newman about the In A Wicked Age... game we've been playing in with Meguey and Vincent Baker. The game was about first contact between two human species at the fictional level. At the gamey level, we were making a real effort to make sure to provide world-fiction details, and we talk about that impulse in this episode. During the show, we talk about Apocalypse World, Sign in Stranger, shock:, the oracle for Human Contact, The Brilliant Gameologists, and JiffyCon. The outgoing song on this episode is Subdivision by Ani DiFranco from the album Revelling/Reckoning. I like it for this 'cause it's got interesting synchronies with the topics that get brought up in our game. Logo courtesy of Daniel Solis: http://danielsolis.com/ Comments[0] |

